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Rangefinder
Magazine
February 2004
Plug-ins Page: Extensis Mask Pro by
Jack & Sue Drafahl
One of the more complex tasks when editing images is
creating an image mask. These masks can clearly separate out portions
of an image (so you can replace backgrounds), repair damaged areas, or
alter the image content. Both Photoshop and Elements from Adobe Systems
have options like the lasso, magic wand and extract tools designed to
accomplish the masking task. These tools work well as long as the required
mask is not too complicated. Strands of hair or thin blades of grass
can take considerable time and effort to mask out against a background
using these tools.
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| The floating toolbox looks much like that in Adobe
Photoshop, except that all the tools relate to image selection and
masking. |
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Extensis Corporation has a solution to this masking
problem in a plug-in filter for Adobe Photoshop called Mask Pro. It features
its own arsenal
of masking tools like edge detection, clean up, halo removal, clipping
path generation and color-matching technology. Best of all, it is quick
and easy to use.
Just load the image you want to mask in Photoshop and
set your target destination. Extensis has its own pull-down menu at the
top of the editing
screen, so you would then select Mask Pro. This jumps you to the Mask
Pro editing screen with its own floating toolbox. These masking tools
are readily available from the toolbox or with a keyboard shortcut. A
viewing selector makes it easy to see your work in progress. It allows
you to preview in quick mask view, solid view or cleanup view.
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| The Keep palette is indicated with a green light
icon. The eyedropper is used to touch and collect those colors that
you do not want to mask out. The red light icon indicates the Drop
palette as the eyedropper is used to select those colors that will
be masked out of the image. |
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The Magic
Brush defines the border of your mask and is used with Keep and Drop
Eyedroppers. It masks away colors you don’t want and keeps
those you do. By holding down Shift while using the Keep eyedropper,
you can select several different color variations you want to maintain
in the mask. The Drop eyedropper works in the same way, except the mask
will cover the colors you touch.
Once you have selected the colors to
be kept or dropped, you can then use the Magic Brush along the edges
to be masked. The Keep and Drop colors
will determine which areas are masked and which are not. The Transition
and Threshold sliders determine the size of the brush and its strength.
If you find your masking cuts into the subject, just adjust the Threshold
slider and move the Magic Brush over the same area to recover image area
covered by the mask. There is also an Erase function in the toolbox to
eradicate any incorrect masking.
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| The Magic Brush is dragged along the edges of the
bird. The Keep and Drop palette determines the edges of the mask. |
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Once you have created your mask, you
can use the cleanup tools to fix any areas in the mask that were missed.
In this mode, everything transparent
is displayed as black, and everything opaque as white. Everything else
is 50 percent gray, so you can easily see if your mask is complete. The
Magic Fill and Bucket Fill tools can then be used to fill in tiny holes
and specks or to fill large areas of background. You can also select
and fill or erase large areas with the Pen tool, which creates working
paths like the Pen tool in Photoshop does. The Magic Pen tool automatically
follows along a path determined by the difference in brightness levels
of colors and shapes in the image.
When you are satisfied with the mask
you have created, you can apply and save it. You will then jump back
into the s editing screen.
To preview your mask, go to the Select menu, and load your mask selection
along with its layer.
From the Extensis>Mask Pro menu, you
can also select the Composite mode, which allows you to view the other
layers
as you create your mask.
In the end, if you find the mask edges a little rough, you can use the
Edge Blender to smooth out any jaggies that appear along the edges of
your mask.
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| Color negative of a clown with a very difficult masking
problem around the yellow hari in the top of the image. Many find
strands of hair make manual selection tools and masking impossible.
Image was imported into Mask Pro to create the mask. |
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Mask Pro 2.0 is available for Windows, and Mask Pro
3.0 for the Macintosh platform. The price is $199.95 for a full copy
and $99.95
for an upgrade.
| The Keep/Drop eyedroppers were used to
select the many yellow tonal color for the Keep eyedropper, and the
darker background colors for the Drop eyedropper. Notice the fine
masking lines around the yellow hair created by Mask Pro. |
Mask Pro is just one of many plug-in filters offered
by Extensis. Others include Intellihance Pro, PhotoFrame and PhotoTools
for Photoshop.
Extensis, recently acquired by Celartem Technology, USA, Inc., also
has a font
management program, called Suitcase, an asset management program,
called Portfolio, and QuarkXPress.
For more information on Extensis products
and trial downloads, you can log onto www.extensis.com.
| 1) Original color negative image of a dragonfly on
a horsetail plant. 2) The Magic Brush was used to outline the shape
of the dragonfly. The Keep (green light) and Drop (red light) palettes
are at the top of the screen. The lower two menus control the brushes
working the area, and the threshold level is derived from the Keep/Drop
settings. The mask that is created can be set to a color (magenta
in this case) and a checkered background (indicating the masked area).
3) The completed masked area round the dragonfly. A second mask of
the semi-transparent wing was made so that some of the background
would pass through the wing. 4) You can toggle the mask so that the
masked and unmasked areas are in high contrast black and with. In
this mode you can find any remaining pinhole or small areas missed
during the masking process. You can then use the standard brush tool
in the add or subtract mode to tweak the final mask. 5) Final image
with new background placed behind the masked dragonfly. |
Jack and Sue Drafahl are freelance journalists/photographers
living in the Pacific Northwest. They have owned and operated a custom
lab and service bureau, Image Concepts, for many years. They can
be reached at: digitalduo@jackandsuedrafahl.com. The Drafahls new
web site is: www.jackandsuedrafahl.com |