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Rangefinder
Magazine
April 2004
Digital Photography: by John Rettie
Reflections on the PMA & WPPI Shows, Trying out the Minolta Laser Printer
As I suspected, there were no last minute surprises at the annual PMA show in Las Vegas. Kodak managed to keep the lid on information about the DCS Pro SLR/n that has replaced the 14n camera until opening day. The camera was everywhere—showing up on other company’s booths as well as at Kodak’s own monster booth.
From a consumer point of view, most of the buzz was about the 8-megapixel prosumer cameras launched by just about every camera manufacturer. Ironically, they all use the same CCD chip from Sony, but all obtain different levels of quality. This difference indicates how in-camera image processing and lens quality are as important as the size and quality of the image capture chip. I’m looking forward to trying these cameras, since eight may be the practical limit to the number of pixels on a small chip.
Aside from new cameras and accessories, there was an abundance of new software. One program that caught the eye of many was DxO Optics Pro from a French company, DO labs.
The program automatically corrects for distortion, chromatic aberrations, vignetting and blur (lack of perceived sharpness) by using profiles generated for specific cameras and lenses. The company describes the program as a “software corrective lens.” If the software proves to be everything its inventors suggest, it could go a long way to correcting some inherent flaws in the current state of digital imaging. In fact, in the future, cameras could incorporate the software so it automatically applies corrections as images are captured. Pricing and availability for DxO Optics Pro have not been announced.
A week after PMA several thousand photographers descended on Vegas for Rangefinder Publishing’s annual WPPI convention at BALLY’s Las Vegas. I returned to find many of the same exhibitors from PMA. What struck me most about the two events is digital photography is now an integral part of photography in general. It does not seem to generate the “us vs. them” mentality of the past. In fact, at WPPI, a convention more for the wedding photographer than the retailer, the seminars and classes on digital imaging solutions seemed the most popular.
Adobe, for example, all but filled the Jubilee Theater each morning with fascinating two-hour presentations of work by famous photographers, such as Jay Maisel, followed by practical demonstrations of Photoshop techniques by Adobe’s own Julieanne Kost—whose sense of humor made the events fun as well as informative.
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| The Minolta-QMS 2350 EN color laser printer produces near photo quality images on plain paper that are more than acceptable for proofing. |
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Minolta Magicolor Laser Printer
Last year I used a color laser printer for the first time. Regular readers will remember I was impressed by the quality obtained from a Lexmark 750N printer. Recently, I have been trying a Konica Minolta-QMS Magicolor 2350 EN color laser printer. It’s smaller than the Lexmark and cannot print as fast, but its color quality is slightly better, especially for photographs. It is still not quite suitable for final photographic quality printing, but it is more than adequate for proofing or producing large quantities of fliers and the like.
With regular copy paper, the Minolta actually produces a better-looking photo print than an inkjet. With high-quality paper, the image quality difference is only noticeable when viewed side by side. When I showed some comparison prints, people could not easily determine which was the laser print. Unfortunately, the Minolta does not produce prints on thick glossy photo paper. But for prints that are going to be mounted or for proofs on lightweight paper, the 2350 EN is perfectly acceptable.
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| It’s easy to check the status and settings on the Magicolor printer via a web browser. |
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The 2350 EN comes ready to use with the four toner cartridges already installed. It includes a built-in network print server, so it easily plugs into the network. Connecting the printer and getting it running was slightly easier on my Mac than on a PC—just as I experienced with the Lexmark. Once connected, there’s no difference in operation between the two platforms. You can set up the printer through a series of menus on a small LCD screen on the printer, but it may be easier to access the information through a web browser on a computer. You can change the parameters and update firmware this way as well.
The printer tends to be rather noisy while printing as the paper threads its way through the machine. It also uses plenty of electricity as it warms up. Fortunately, you can leave it on continuously in stand-by mode—which uses only a small amount of electricity—and it is ready for action within a minute or so.
The biggest benefit of a laser printer is the higher printing speed than an inkjet and the lower cost of consumables. According to Minolta, some wedding photographers are using the 2350 EN as a proof printer. I am impressed enough that I decided to buy the review unit—I couldn’t bear to return it.
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| The APC Smart-UPS 750XL provides plenty of battery backup power in the event of a power cut or drop in voltage. |
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APC UPS
At about the same time I started using the Minolta 2350 EN printer, I received an APC Smart-UPS (uninterruptible power supply) SUA750XL. The timing was good because the lights would flicker every time the printer ramped up for printing. If the toaster or dishwasher were on at the same time, the voltage in my office dropped enough that the UPS started beeping. On several occasions, switching on one more appliance would trip the circuit breaker. On each occasion my computer would continue to run without missing a beat. We suffered power cuts twice in the past few months, and the computer continued to function perfectly for long enough to finish up work and shut down in an orderly fashion. Incidentally, I did not plug the laser printer into the UPS because it draws too much current for this model.
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| There are plenty of sockets on the back of the APC Smart-UPS for plugging in a computer and low-power peripherals. |
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If you use the Smart-UPS with a PC, there is useful software included that automatically shuts down the computer after a period of time running on the battery and then restarts the computer once power is restored. Unfortunately, this software is not available for the Mac. Instead the Mac version comes with a basic system extension that turns off the computer after a set period of time without properly shutting down and without restarting. I found this feature more annoying than just turning the computer off myself. The alternative is to let it turn off when the battery dies if there’s nobody available to intervene.
A good UPS is a necessity if you work on your computer for a living—there’s nothing worse than losing work during a power outage or a drop in voltage. It also works as a very effective power surge suppressor, which helps extend the computer’s life.
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| EZDigiMagic can copy files directly from storage cards onto a CD-R without a computer. A detachable battery pack makes it truly portable. |
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EZDigiMagic Portable Backup
A few months ago I tried an external CD writer with a built-in card reader that could back up digital images directly off a storage card. My only complaint was it had to be plugged in, powered from electricity.
Now I have had the chance to try a similar model from EZ PnP that can be battery powered. It proved a godsend. On a recent photo trip in Central Africa, I was camping out for two nights with no electricity available. I made sure all my batteries were fully charged before leaving, and I was confident I’d have no problems. But, and I hate to admit this, I stupidly left all my extra CompactFlash cards behind in the base hotel—where we would return after three days. I filled the one card I had in my Canon EOS 10D before realizing my stupid mistake. Fortunately the EZDigiMagic was handy, and I had three blank CDs. All I had to do was insert four AA batteries in the battery pack on the CD recorder, insert the CompactFlash card and a blank CD, and push the record button. It beeped, and a few minutes later the images had been copied onto the CD. I made sure they were okay by checking the CD in friend’s laptop. Then I reformatted the CompactFlash card and was ready for more shooting. I had to do this two more times, once when driving on a bumpy road.
It’s no different backing up onto a CD than onto a hard drive in one of the many external storage units on the market; however, a burned CD is generally more reliable than a hard drive. With a portable CD burner it is also easy to make duplicates for additional safety or for clients or friends.
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| The Photoshop CS Book For Digital Photographers is an excellent step-by-step book for photographers who want to learn Photoshop techniques for producing better photographs. |
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Quick Book Review
Photoshop CS Book for Photographers
Scott Kelby is one prolific author. No sooner had he updated Photoshop Down & Dirty Tricks than he turned his attention to The Photoshop CS Book For Digital Photographers (New Riders, 375 pages, $39.99). As president of the National Association of Photoshop Professionals and a leading seminar instructor, Kelby knows what users look for when it comes to understanding Photoshop. Amazingly, although this is an updated version of a previous edition of the book, it looks and feels new. The majority of step-by-step techniques in the book are the same, but, in each example, Kelby has used a new photograph with a slightly different slant. New material describes the improved file browser in CS, which can actually serve as a useful tool for organizing and cataloging images without resorting to a third party program. He also discusses the magic of editing in 16-bit, which is much easier in CS than in earlier editions of Photoshop.
If you’ve already got previous editions, you’ll probably still find enough in this new version to warrant a refreshing read. If you haven’t seen the book before, you should check it out since it is aimed directly at photographers as opposed to graphic artists. Kelby has a humorous touch in his writing, which makes it fun to learn how to use Photoshop for retouching and improving images. Each technique, such as lightening eyes or whitening teeth, is covered step by step with pictures showing the results of the changes as well as a screen shot of the settings in Photoshop.
John Rettie is a photojournalist who resides in Santa Barbara, CA. He has been using a camera as a professional for 34 years, a computer for 24 years, and has combined his knowledge of both for the past 11 years. Readers can contact him by e-mail at john@johnrettie.com or by snail-mail c/o Rangefinder.
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