Rangefinder Magazine
October 2004
Rf Cookbook by
Mateo Muñoz
Onions
The process of creating work for advertising
or commercial use is exciting and interesting and involves
more than just interesting ideas. As a photographer, I try
to literally and figuratively see the products or the project
from every aspect, in 360 degrees. It’s important for
me to consider aspects such as point of market, retail cost,
characteristics and quality of the products because this
is the only way to create the right image for the client.
My goal as a photographer is to help my client to sell more.
The creativity is that element of the photograph that anchors
people to the image.
This particular photo was created during
one of my advertising classes at Brooks Institute of Photography,
in Santa Barbara, CA. The idea was to create an interesting
image of produce.
The photo was captured with a Nikon D100
digital camera with a 105mm Nikon lens. On the left side
is a medium softbox; on the right side a white card to modify
the density of the shadow. It was very important to do a
white balance before the main capture. This helps to obtain
neutral tones. In addition, I use Photoshop CS to open the
RAW file. Photoshop gives me the control to change the white
balance if necessary. The only color correction made to the
image was increasing the contrast and creating more saturation
on the green channel.
INGREDIENTS
• Camera: Nikon D100
• Lens: Nikon 105mm Macro
• Lights: Norman 2400 Watt-seconds
• Computer: Macintosh Powerbook G4
• Other: PocketWizard Radio Slave
• Software: Photoshop CS
• Printer: Epson Photo Stylus2200 |
Digital cameras capture a wider range
of tones compared with some films. Sometimes, this can make
the file look flat. I find that adjustment layers are a great
tool of Photoshop, giving me all the control I need to do
changes in the future. In the photo of the green onions,
the main layer was duplicated and applied with a high pass
filter with hard light blending mode to sharpen the image,
allowing me to control and adjust the amount of sharpening
without altering the main layer. Adjustment layers are also
very useful when I am working with different outputs because
I can create any adjustment depending of the gamut of the
output device. The final piece was printed on an Epson Photo
Stylus 2200.
My goal was to deliver a clear, fresh message
that will show the produce with beauty. This image represents
a good piece within my portfolio and style as a photographer.
On the other hand, I have to say that I am the kind of photographer
that believes the right equipment is necessary to create
the perfect image. I need to know and feel comfortable with
the equipment. Digital technology is bringing more control
and autonomy to my photography, and I love it.
Mateo Muñoz
can be reached by email at hola@mac.com/.
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