Rangefinder Magazine
November 2005
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Photoshop CS2 How2 Michelle Perkins
Adobe CS2's Bridge Advanced File Management
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The Favorites menu provides easy access
to the desktop—an entry now missing
from the Folders menu.
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When you begin using Photoshop
CS2, one of the first major differences
you’ll notice is what happens when you
go to File > Browse. Instead of calling up
the old familiar File Browser, Photoshop
now launches a stand-alone application
called Bridge. While you’ll probably find
that Bridge takes an extra moment or
two to load, it’s well worth the wait. Not
only can Bridge tackle any file-management
task that you used to rely on the
File Browser to accomplish, it can also do
much more.
So why is Bridge an independent application?
First of all, it provides increased
functionality. For instance, Bridge can
be used by all of the applications in the
Adobe Creative Suite. Second, you can
now use Bridge even when Photoshop
is busy—perhaps batch processing files
or running actions. Finally, Bridge can
remain open on a second monitor while
you work with an image
on your main monitor.
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In Photoshop CS2, the CS File Browser (above) is
replaced by Bridge (below), a stand-alone application
with added functionality.
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What’s Missing? If you’re an experienced
user of Photoshop CS’s
File Browser, you’ll notice
right away that a few
things have changed.
For one, the flag icon
that used to appear at the
top of the window is missing.
This has been replaced with a
five-star rating system accessed
via the Label menu. Images you
flagged in CS’s File Browser will
appear with one star in Bridge.
This option also replaces the Edit
> Rank command found in File
Browser; unfortunately, images
ranked in File Browser will not
retain their ranking in Bridge.
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Images can easily be ranked using the
five-star system in the Label pull-down
menu.
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The Binoculars icon has also
gone missing, replaced by the
Edit > Find Command. If you
prefer, you can use the keyboard
shortcut Command-F (Control-
F on a PC) to access the same
feature.
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From the Tools menu, you can select from
the entries that used to appear in the Automate
menu—and a few other options.
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Under the Folders tab in the
top left panel of the File Browser,
the Favorites and Search Results
entries are gone, as is the Desktop choice in the list of folders. Favorites has
now been given its own tab in the same
pane, and to go back to a previous search
result you can now use the Back button.
The elimination of the Desktop from
the folders menu, now replaced with a
Computer choice, makes navigation a
bit less convenient—you’d need to go
to Computer > Macintosh HD > Users
> [User Name] > Desktop to get there.
Fortunately, you can click on the Favorites
tab and select Desktop directly from
there—a much easier solution.
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Clicking on the black arrow at the top right of the Metadata pane reveals additional
related options in a fly-out menu.
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Where Did It Go? While a few of File Browser’s familiar
features have been eliminated, some have
just been relocated.
In Bridge, the thumbnail size settings
that appeared in File Browser’s View
menu have been replaced by a slider at
the lower right of the browser window—
a much more elegant solution that lets
you change your view on the fly.
The tools found under the Automate
menu (batch processing, contact sheets,
etc.) have found a new home in Bridge’s
Tools menu. Cache choices are also now
made from this menu.
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The Find command in Bridge offers some options that weren’t available using File Browser’s Search
command.
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The Sort menu has been moved to
View > Sort, and the Append Metadata
and Replace Metadata choices are now
made from the fly-out menu at the top
right of the Metadata pane in the lower
left corner of the browser window.
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The View menu in Bridge offers several
helpful controls for organizing and delimiting
the image previews.
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What’s New?
Bridge features a Find command (Edit
> Find) similar to File Browser’s Search
command, but enhanced with several
new features. The Find All Files checkbox
grays out the search fields and causes
Bridge to display all the files in a given
folder. The real power, however, is that
you can use this in conjunction with the
Include All Subfolders checkbox, allowing
you to view the contents of multiple
folders, which isn’t possible using the
Folders pane.
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The Filmstrip view presents your image in much the same way as a Web Photo Gallery.
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Once you’ve completed a search, you
have the option to save your criteria as
a Collection. Once you’ve named this
preset and saved it, you can perform the
same search at any time by going to the
Favorites tab in the top left pane, hitting
Collections, and selecting the desired
entry from the thumbnails.
When it comes to viewing image
thumbnails, Bridge offers several options.
Under the Preferences (Bridge >
Preferences for Mac, Edit > Preferences
for PC), you can adjust the shade of the
background and add up to three lines of
metadata below the file name. Under the View menu (or the icon at the lower-right
corner of the browser window), you can
also switch to the Filmstrip view. This lets
you view your images in much the same
way as a Web Photo Gallery, with a large
preview of the selected image appearing
above a horizontal strip of thumbnails.
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The Details view provides a list of metadata to the right of each image preview.
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PDF Preview Pane
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The Details view provides a list of
metadata to the right of the image—great
for a final check of image resolution or
color mode before sending images off to
the lab or offset printer.
The Versions view allows you to see
different versions of an image saved as
a Version Cue project. (Version Cue is
included with the Adobe Creative Suite
but is not packaged with Adobe Photoshop
as a standalone product.) Going to
View > Slideshow causes the contents
of a folder to appear as large individual
previews on a gray background. You can
use the left and right arrows to navigate
through the images and the space bar to
pause or play.
When viewing a multi-page PDF, the
Preview pane (the middle pane on the left
of the browser window) displays a page
count and arrows so you can navigate
through each page in the document.
Under the Tools menu, as mentioned
above, you’ll find many of the tools File
Browser housed under the Automate
menu, and there are small functional
enhancements added throughout. Under
Batch Rename you can add camera settings
by selecting the EXIF metadata
field. You can also attach the old file
name to an image by turning on the
Preserve Current File Name in XMP
Metadata checkbox; this is helpful for
retaining the original file name assigned
by your camera.
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The Image Processor offers a quick way to scale and save
multiple files
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Under the Preferences (Bridge > Preferences for Mac, Edit > Preferences for PC), you can set up
the default applications for various file formats.
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In the Tools menu, you’ll also find new
Web Photo Gallery Templates and an
Image Processor option (Tools > Photoshop
> Image Processor), which allows
you to scale and save multiple images in
a variety of file formats. You can even run
actions, include an ICC profile, and apply your copyright information in the metadata.
The new five-star rating system in
Bridge, accessed under the Label menu,
allows you to rank your images. You
can also label your images in one of five
colors. These rankings can then be used
when sorting and filtering the files via the
filter pull-down menu at the top right of
the browser window.
Some additional features have also
been added to set Bridge apart from the
File Browser. If you work in Illustrator or
InDesign, Bridge allows you to view the
fonts and colors used in each document,
making it easy to coordinate them with
your Photoshop image.
In Conclusion File management is a critical component
of an efficient workflow. By allowing
you to catalog and access your images
in a number of ways and according to
an array of variables, Bridge is an excellent
tool for staying organized. Its ability
to accommodate a vast array of file
formats and its compatibility with the
entire Adobe Creative Suite will make
it especially effective for photographers
who need to coordinate projects created
outside of Photoshop.
Michelle Perkins is a professional writer, designer,
and image retoucher. She has written for PC Photo
and is the author of Beginner’s Guide to Adobe
Photoshop, The Practical Guide to Digital Imaging,
and Color Correction and Enhancement with
Adobe Photoshop (all from Amherst Media).
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