Rangefinder Magazine
November 2005
Click Here for printable version of this article.
How Can Email Marketing Work For You?Maria Piscopo
Email marketing is the newest and
most contentious method for sending
self-promotion information to
current and prospective clients. As important
a tool as it can be, email marketing
can also add to the flood of
spam your clients receive.
But let’s look at how it can
work for you!
First, email marketing
combines the unique features
of design flexibility,
lower production costs,
quicker turnaround, testing
different offers, showing
new work, sharing
information important to
your clients, and driving
traffic to your web site. Second:
Don’t underestimate
the power of relationship
building in email marketing
photography services. Many people
prefer follow-up and even first contact to
be email. It is personal and impersonal at
the same time—quite the hybrid marketing
tool. Email will not take the place
of stamped (ground) mail or phone calls,
but it is another avenue, another chance
to generate and maintain interest in your
photography.
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Subject: “Kinesthetic photography made simple”—
Email marketing campaign by Chicago photographer
Deborah Vyskocil
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First, email marketing
combines the unique features
of design flexibility,
lower production costs,
quicker turnaround, testing
different offers, showing
new work, sharing
information important to
your clients, and driving
traffic to your web site. Second:
Don’t underestimate
the power of relationship
building in email marketing
photography services. Many people
prefer follow-up and even first contact to
be email. It is personal and impersonal at
the same time—quite the hybrid marketing
tool. Email will not take the place
of stamped (ground) mail or phone calls,
but it is another avenue, another chance
to generate and maintain interest in your
photography.
Design Criteria You need your clients to open the
email, so design it to your highest level of
technical and creative ability. Consider
using a different campaign for your current
clients and your prospective clients
when planning your email marketing.
Your current clients can get more personal
contact in your email than prospective
clients. Also, you can be more
general in your marketing message to
your current clients—they have already
worked with you and know your work.
Prospective clients need to get a more
specialized marketing message such as
“Weddings on Location” or “Family Portraits”—
something very specific to catch
their eyes and attention. Don’t forget to
be irresistible!
Be sure to add credibility or third-party
proof as often as possible to your email
marketing campaigns. By definition,
marketing is you saying how great you
are as a photographer. You need objective
evidence in your email message to convince
prospective clients to respond. One
of the best sources to use is your membership
in professional associations, such as
WPPI. This “third-party proof” could also
be in the form of client testimonials, case
studies of actual jobs or published work.
Repetition leads to recognition, which
leads to response. This is the mantra of
all marketing, so plan spaced repetition
of your email. The best rule to use is to
gear the pace of your wedding and portrait
photography email promotions to seasons
or holidays. There is a risk in mailings
that are too close together: You could
lose effectiveness and annoy prospective
clients. If too far apart, you won’t build
recognition, and you will lose the equity
you gained from previous
emailings.
Increasing Responses Before you design your
email marketing, decide
what it is that you want
your client (or prospective
client) to do when they
get your email. Set specific
goals: Do you want them to
call for more information?
Visit your web site? Anticipate
the next email? Ask
for a consultation? Refer
you to their friends? You
can have multiple choices
(everyone’s favorite!). Be sure to let the
client reading your email know what their
options are.
In traditional direct marketing, you
can increase the number of responses
from clients by making an offer of some
kind. This has not changed with email
marketing. It should be something they
need or want. For example, you can offer
a “Holiday Portrait Package” or “Wedding
Location Consultation.”
Email response also increases when
your personality and philosophy as a
photographer are strongly reflected in
the email. You are a total stranger to
prospective clients receiving your mail—
whether email or ground mail. They
need to get to know you better before
they will take the next step and respond.
Email is an impersonal promotion tool,
so put yourself into the mailing to create
a personal presence. You can add biographical
information, background information
on the image or discuss your
philosophy as a professional photographer.
Think of this personal information
as the “why” clients should hire you. The
“what” is clear from your images. Help
them respond by telling them why you
created the image they are looking at and
what you would be like to work with.
The Client’s Perspective Remember always to write from the
point of view of the client. Successful marketing
is always based on standing in the customers’ shoes and understanding their
needs and interests. For the text part of
the email, be sure the client can see themselves
in the way you word your email. For
example, it is much more effective and
meaningful for the client to read, “You
need a wedding photographer that can
make your wedding day special,” rather
than “I can make a wedding day special.”
Don’t forget to emphasize the benefits of
working with you instead of the features.
Like traditional direct mail, clients relate
best to their own needs. For example, instead
of saying, “I can meet deadlines,” you
would say, “You get on-time delivery.” The
idea of meeting deadlines is considered a
feature, but on-time delivery is the direct
benefit to the client and a more effective
point.
When you need conceptual illustration that is
stunning and soulful for your next project,
give me a call at (216) 702-3088,
or visit my website at
www.richardtuschman.com
If you would like to remove your
name from this list, please reply with the
word “unsubscribe” in the subject line.
Richard Tuschman Images
tel: (216) 702-3088
fax: (216) 360-0614
web: www.richardtuschman.com
e-mail: rt@richardtuschman.com
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Subject: “Distinctive new images from Richard
Tuschman”—Email marketing campaign by
Ohio photo-illustrator Richard Tuschman
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Production Criteria Start with a “From” address that accurately
identifies your name and not some
mixed up set of numbers and letters. Use
a subject line that contains no more than
35 characters. The subject line should
contain at least one keyword phrase that is
important to your client, such as “Holiday
Portraits” or “Family Portraits.” Don’t try
to be cute or clever and use words like
“hello,” “for free,” or “guaranteed” as these
types of words are often spam-filtered,
and your email will never be seen. Use an
online content checker to test your email
for potential problem words that might
trigger a spam filter. Try www.lyris.com or
www.overture.com/.
Next, test how your email will look to
clients. Broken links or raw HTML code
in email marketing could be a problem.
Try setting up test accounts with the major
online services to see how they handle
your email. Again, always put yourself in
the prospective clients’ shoes, how will this
look to them?
Use a targeted (profile of the type of
photography you are selling) and opt-in
email list. Your best email address list
comes from current clients and good prospects
that have consented to email contact
with you. This consent may come from
visiting your web site, replying to your
direct mail, viewing your portfolio or an
initial email query you send. You can also
buy an “opt-in” email list, especially for
targeted markets, such as weddings and
portrait photography clients. This client
demographic is highly targeted and well
researched by established companies. Take
a look at the email opt-in list companies
on Target Marketing magazine’s web site,
www.targetmarketingmag.com by doing a
supplier search for “lists” then “consumer
lists.” For example, www.infousa.com has
over 200 million people in 104 million
households profiled by income, age, gender,
geography and home value (just to
name a few options).
Your very brief email body text should
open with a two- or three-word headline,
a strong image and then a brief paragraph
designed to capture people’s attention.
Be sure to include active links to selected
web pages on your site. You do not need
to send them to your home page. For example,
if you are emailing to a list of new
parents, you would send them the link
to your mother and newborn portraits.
Driving prospective clients to your web
site is important, but don’t think of only
an online response. Give clients the option
to call you—toll free numbers work very
well here.
Don’t ignore “bounced” or undeliverable
email that returns because the address
no longer exists or someone’s in-box is
full. Keep your personal database clean,
and any email list you buy should have
current opt-in addresses. Internet service
providers have rules about this, and if you
exceed their standards for undeliverable
(bounced) messages, they could flag you
as a spammer and block all your email!
Avoid Spam As of this writing, the CAN SPAM Act
is in effect and you should check on the
rules before you design your email campaign.
Following the above design and
production criteria will help keep you in
compliance. You can find information on
the Federal Trade Commission’s web site
(www.ftc.gov). Also, check the web site of
the Direct Marketing Association (www.
the-dma.org) as one of the best sources for
updated information on this hot topic.
Finally, balance your email message with
selling and interesting content. Your selling
message is important, but editorial or
newsworthy content makes your email
more attractive. This balance adds value
to your campaign and keeps clients interested
in hearing from you.
Maria Piscopo, creative services consultant, (www.
mpiscopo.com) has been a marketing representative
for artists and photographers since 1978. She
teaches workshops for artists, designers and photographers
and is the author of The Photographer’s
Guide to Marketing and Self-Promotion, 3rd edition
published by Allworth Press.
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