Rangefinder Magazine
May 2006
Click Here for printable version of this article.
A Digital Journey to Japan by PAUL SLAUGHTER
A Top Pro Creates a Travelogue in the World’s Most Photogenic Country
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Kyoto; Nanzen-Ji Temple compound.
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Last summer, the Canadian Government invited my wife,
Inée, to attend an Indigenous Language Symposium in the
Canadian Pavilion at the Expo 2005 World Exposition in Japan.
The Expo took place near the city of Nagoya, in Aichi Prefecture.
August is not the best season to visit Japan; it’s hot and extremely
humid. Spring and fall are preferable, but this was a great opportunity
for me and our 15-year-old son, Alexander, to accompany
Inée, who was raised in Japan and speaks Japanese. Needless to
say I was excited. What a terrific destination to create photographs
with my new Nikon Digital SLR D70s camera. This article will consist
of a travelogue of our trip, photo destination tips, notes of my
experience using the D70s, and a selection of photographs I created
during our sojourn. Over the years I have been fortunate to travel
on many continents and visit numerous countries, but this was the
first trip on which I used only digital cameras.
It was a comfortable 101/2 hour flight from Los Angeles to Tokyo.
We took a bus to the Grand Hyatt Hotel in Roppongi Hills, where
we were met by my good friend, John Kavelin, the director of design
and production for Tokyo Disneyland. John has a spacious,
comfortable, air-conditioned condominium where we stayed for
our week in Tokyo.
During the trip I used only Nikon Digital SLR D70s cameras and
Nikkor zoom lenses, the AF-S DX ED 18–70mm f/3.5–4.5 and
the 55-200mm f/4-5.6G ED AF-S DX Zoom-Nikkor. The lenses
are designed exclusively for Nikon’s DX-format SLRs and provide
superb versatility in a wide variety of shooting situations. I like the
lightness of the lenses and D70s camera body, and they are still
stable enough for handholding. It was wonderful not to have a sore shoulder at the end of the day from carrying a heavy bag of analog
photo gear.
Subways are the best way to get around Tokyo since traffic can
move at a snail’s pace. The city has one of the cleanest, most efficient
subway systems in the world. Passnet, a prepaid travel card, is conveniently
accepted on all subways
and transfers. Cards are
available at stations in 1000-,
3000-, or 5000-yen denominations.
An average subway ride
costs 170 yen. Vending machines
at the stations sell an
assortment of cold beverages,
including espresso, unsweetened
green and Oolong teas,
and other thirst quenchers for
hot weather.
On our first morning in
Tokyo, we took a leisurely
walk in the humid air through
John’s quiet, modern neighborhood.
I took some shots of
apartment buildings with numerous
bicycles parked outside.
Yes, people still ride bikes
in Japan. At Tokyo Station we
picked up our Japan Railways
(JR) Shinkansen tickets. I had
made our travel dates and seat
reservations on the Internet a
month before our U.S. departure.
For travels to Nagoya,
Kyoto, and return to Tokyo,
we chose the Nozomi Express
train, since it is new, fast, and
stops only at major stations. I
just presented my credit card
at JR.
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Kyoto, Kinaku-Ji Temple; tree and pond.
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They gave us our tickets,
and off we went to photograph
the Otemon Gate of the Imperial
Palace. For lunch we had
a quick Italian meal, popular
in Tokyo, in nearby Marunouchi, Tokyo’s financial center. Most
Tokyo office complexes have restaurants and shops on their basement
and lower floors. Not an inch of space is wasted in the city,
which has some of the highest real estate values in the world.
After lunch we took a 30-minute subway and train ride to Inée’s
mother’s quiet neighborhood in a western suburb of Tokyo. En
route, friendly Japanese families and individuals willingly posed for
me. Mama lives in one of the last old style, ornate wooden houses
of her neighborhood, now surrounded by modern homes.
On the narrow street to her house was a tofu shop with two pairs of white
rubber boots placed neatly in front of the shop. We stopped at a
small Buddhist Temple where Inée had played as a little girl. Again
I got more good images of the temple and a Buddhist statue.
John arranged tickets for us to Tokyo Disneyland and Disney-
Sea, a marvelous adjoining park that opened in 2001. DisneySea
is inspired by the myths and legends of the sea and has seven
Ports of Call, including an early American Waterfront, a Mediterranean
Port, and a Port Discovery. Normally one does not tour
both parks in one day but we did—or should I say, our son Alex
did. His energy was boundless! At DisneySea, The Journey to the
Center of the Earth ride in
Mysterious Island is not to
be missed. The evening water
show, BraviSEAmo, was dramatic
and outstanding and
made for super pics, as did
the Japanese families enjoying
Disney.
Throughout the trip I used
the Nikon D70s primarily in
Program mode, with a combined
RAW and JPEG Basic
setting for image quality. The
two image formats, RAW and
JPEG, are recorded simultaneously
with each image capture.
It was also simple and
convenient to change film
speeds on individual image
captures. White Balance was
set to automatic and the D70s
performed well in all lighting
conditions. If needed, I could
adjust an image’s white balance
and color in Photoshop’s
CS2 Camera Raw. How expedient
to be able to create
photographs and not be concerned
if they were shot in
daylight, fluorescent or tungsten
light.
On another day of photography
we began on the
40th floor of the World Trade
Center (Hamamatsucho Subway
Station) that has a fabulous
360° view of the city and
Tokyo Bay. If you are lucky you might get a clear day. Afterwards
we walked to the nearby Shiodome Subway Station and took the
driverless Yurikamone monorail to Odaiba, an area with photogenic
futuristic buildings, shops and restaurants built on reclaimed
land in Tokyo Bay. Returning by the public Water Bus, we took
sunset shots of the Rainbow Bridge with the city in the background.
Waiting at the dock for the Water Bus was a good spot
for people pictures. The dock is in front of Decks Mall in Odaiba,
known for its huge Joypolis Game Center.
Ginza, in the heart of Tokyo, is packed with shops, restaurants
and department stores. Ginza Dori (street) is closed to auto traffic
at noon on weekends. I checked my e-mail at the Apple Store.
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Above: Tokyo, Harajuku; girl in makeup. Top right: Actors rehearsing in foyer
of the Kabuki Theater in Tokyo. Bottom right: Kyoto, Fushimi Inari Taisha
Shinto Shrine; detail.
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The Sony building displayed their latest technology and games on
eight floors of “discovery.” A few blocks away we photographed
the ornate Kabuki Theater. Not wanting to miss a photograph of actors rehearsing in the theater’s foyer wearing patterned yukatas
(Japanese robes) and obis, I had to shoot through a glass door at a
slow shutter speed (see upper right, this page). The shot made an
interesting movement image. For all types of camera gear, go to
the extremely well stocked BIC Camera and Electronics, a national
chain. I purchased a couple of plastic protectors for the LCD screen
of the D70s to replace the one on my camera that broke when I accidentally
knocked it against a table.
On a Sunday afternoon, we visited Harajuku’s emblematic shopping
street, a narrow pedestrian thoroughfare of small shops and
crepe stands, frequented primarily by youth and tourists. But the
main reason to go to Harajuku is to photograph the teenagers in
their creative costumes and colorful makeup (above), ranging from
cool to bizarre. The youth hang out each Sunday on the bridge in
front of the entrance to the Meiji Shrine. They pose willingly.
I discovered unique graphic, architectural, and garden images in
a modern complex of buildings located around the Grand Hyatt
Hotel in Roppongi Hills. In the complex is Mori Towers, which
houses an observation deck on the 52nd floor and a world-class art
museum. Subway Station: Roppongi Hills.
Our “Bullet Train,” the Nozomi, was scheduled to depart from
Tokyo for Nagoya at 12:13 p.m. We arrived at the station early to
take photographs of the aerodynamic Shinkansen trains departing
and arriving (opposite page). We purchased our lunches, for later on
the train, from one of the many shops selling Bento boxes (compact,
portable rice meals, an important part of Japan’s culinary tradition).
Alex located our train’s departure track and the coach number on
the platform. At 12:10 p.m. our train arrived. Passengers scurried
aboard through the door of their designated coach. At exactly 12:13
p.m. the train departed. The ride was extremely smooth and comfortable,
traveling at an average speed of 300km per hour. In the
almost 40 years since it opened, the Shinkansen network has carried
over 6 billion passengers without a single serious accident.
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Kyoto; Shinkansen train, Photoshop zoom-blur effect.
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To take photographs from the fast moving train I set the camera ISO
to 400 and speed to 1000 and shot through the window at an angle.
(Another tip: It is advisable to travel with a moderately sized piece of
luggage with wheels as there is no porter or baggage service in the
large stations or on the trains.)
Our hotel in Nagoya was the 52-floor Marriott Hotel, conveniently
located directly above the city’s Central Railway Station.
The 46th floor room had great views of the modern city. In the
twin towers complex, there is a Takashimaya Department store
and two floors of small restaurants, located side-by-side. We selected
the type of meal we wanted from the colorful, almost lifelike,
plastic food displays in their windows.
Expo 2005 Japan, located 30 minutes from Nagoya, with its
theme, “Nature’s Wisdom,” emphasized the close links binding
humanity to nature in the 21st century. The park was separated into Global Commons: Africa,
Asia, Europe, The Americas,
and Oceania-Southeast Asia,
each with numerous nations
participating. A 2.6 km-long
wooden walkway circled
above the park, with stairs and
elevator access to the pavilions
below.
Modern modes of transportation such as gondola
cars, low-pollution natural
gas operated buses, and a
battery-driven tram whisked
us to and fro. Expo 2005 was
packed with tourists, mainly
Japanese, some waiting hours
to see the most popular pavilion
shows. Two corporate zones
featured environmentally friendly
cutting-edge technology presented
in entertaining exhibitions and
shows.
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The simple graphics of train signage are very appealing.
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The Toyota Pavilion show,
our favorite, featured futuristic
single-passenger concept vehicles
and an enjoyable performance by
a robot band playing “When The
Saints Go Marching In.” At the Canadian
Pavilion we got to hear Inée’s
excellent presentation and meet attendees
of the Symposium: Ainus of
Japan, Australian Aboriginals, Native
Americans, Polynesians, Africans,
etc. Inée is the Executive Director of
the Indigenous Language Institute,
a nonprofit organization located in
Santa Fe, New Mexico, working with
Native American Nations, assisting
them with methods to preserve and
teach their respective languages.
By the time you read this the Expo
2005 buildings will be gone and the
entire area will have been returned to
its previous natural state of forest and
greenery. I captured good images at
Expo but my best photographs were
portraits of the children and families
visiting from all parts of Japan.
Kyoto, oh Kyoto! We saved the best
for our last few days in Japan. Serene,
undeveloped mountains surround
Kyoto, the ancient capital and spiritual
center of Japan. In the city and foothills of the mountains are
numerous Buddhist temples, shrines and gardens. A photogenic
location is the Ryoan-ji Temple, just northwest of the city center,
with its peaceful rock garden. In a teahouse on the grounds we
enjoyed a lunch of tofu and vegetables simmering in a very tasty
broth in a large iron pot, sitting Japanese style on tatami mats,
overlooking a peaceful view of
a quiet pond and well tended
garden. A light rain began to
fall on the pond. I feel I got one
of my best photographs of the
trip—raindrops making gentle,
graduating circles in the still
pond.
Other photographic locations
are Nijo Castle in the center of
Kyoto, the large Fushimi Inari
Taisha, a Shinto Shrine compound
in the southern part of
Kyoto, the colorful Nishiki food
market in central Kyoto, and
tranquil Philosopher’s Walk
along a small canal in the Higashiyama
district. Kyoto is simple to
navigate. Take a walking tour in
the Gion district, Kyoto’s most famous
geisha quarter.
You might even spot a Geisha. In Gion there
are many treasures to discover:
quaint wooden houses by a small
river with wading cranes, craft and
antique shops, tea houses, and small
traditional inns called ryokans. On
my first visit to Kyoto in 1988, I
stayed at a quaint ryokan, sleeping
on a futon. The inn is now a private
residence. One of the oldest ryokans
in Kyoto is the Tawaraya in the central
but quiet Nakagyo-ku section of
the city. Many internationally famous
celebrities have stayed at this inn. At
ryokans the charge is per person per
room, not just a room rate.
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Kyoto roof tiles.
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Kyoto is a popular destination with
world travelers as well as with the Japanese.
Book a hotel room well in advance.
We wanted to be comfortable
in the humid weather so we made
room reservations on the Internet at
the Westin Miyako, conveniently located
at the foot of the eastern Kyoto
mountains. Upon arrival we happily
found our room had been upgraded
to a top floor suite with a terrific view
of Kyoto. At the end of the hallway
was a library sitting room overlooking
the Nanzen-ji Temple compound
and the northeast mountains.
I spent my early mornings there photographing
the tranquil, peaceful view of ever- changing light, mist and
clouds rolling gently over the mountains. I thought to myself, “How
lucky can I be?” On our last evening at the hotel we decided to stay in
and have room service. A funny thing happened. The door bell rang.
Three housekeeping staff were at the door. One of them asked me if we required turndown service. I said, “Everything
is O.K.” They misunderstood me.
“O.K.” must have meant “yes, please.” The
smiling ladies charged in, rushing around,
turning down the bed linen, changing the
towels, and leaving chocolates on the pillows.
Before I knew it there was a chorus of “kon
ban wa” (“good evening”) as they departed
the room. It was like a humorous Max Sennet
comedy; it happened so quickly. As soon
as they were gone we couldn’t stop laughing.
Subways and buses are the most convenient
way to travel in the city. City transportation
route maps are available at hotels. We
had some great food during our sojourn
but especially enjoyed the small Soba (noodle)
shops and Sushi bars in Kyoto. I even
found Montaroh Sushi in the Gion district
where I had eaten in 1988. Norio Yamashita,
the sushi chef, said he remembered me.
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Kyoto; Kiyomizu Pagoda and red umbrella
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Instead of requiring a couple dozen 1GB
CompactFlash cards to record images, I used
the Epson P-2000 Multimedia Storage Viewer
with a 40GB hard disk capacity. It is well
designed and works like a charm. Simply
drop a card of images in a
slot of the P-2000 and in
a few minutes you have a
folder of the day’s take to
preview on its bright 3.8-
inch LCD screen. The
Epson P-2000 accepts
both SD and Compact-
Flash cards. Alex photographed
with a Nikon
Coolpix 7600 Digital
camera. He has a good
eye for design and found
some amazing images.
At the end of the day
whoever got to the storage
viewer first uploaded
their images. The one
upgrade I would like to
see with the Epson unit
is that the I.D. name you
give a folder of images,
such as Tokyo-Day
1, does not change after
uploading the folder
from the Epson P-2000
to a computer. I had to
identify images in each
folder to again name the
folder as I preferred. Upon
arriving home we
viewed our photographs
on television directly from the Epson P-2000,
and uploaded them to our Macs. On a 1GB
CompactFlash card I could record 158 image
captures. I came home with over 16 gigabytes
of photographs.
In closing I would say I am more than
satisfied with the performance of the Nikon
D70s Digital SLR Camera. I have edited my
take, tweaked a few images, and printed
some 13x19 inch photographs on the
Epson Stylus Photo 2200 using Entrada’s
Moab paper and Epson’s Velvet Fine Art
paper. My analog cameras will be gathering
dust I’m afraid. Shall I say “Sayonara?”
Japan travel information: www.japan
-guide.com. Japan Railway information:
www.japanrail.com.
Paul Slaughter is a world-traveled photographer,
writer and ASMP member who lives in Santa Fe, New
Mexico. Paul specializes in stock and fine art photography
and writes articles on travel and photography.
A special love of his is Jazz. He has an extensive photographic
collection of the legends of jazz. See the
Profile on Paul in the Rangefinder December 2004
issue. More info: www.slaughterphoto.com
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