Rangefinder Magazine
March 2006
Click Here for printable version of this article.
Profile: Angela Carson Peter Kotsinadelis
“It’s all about relationships!” If there is one thing
you learn talking with Angela Carson, it is that
she believes this adage is the key to her success. Of
course, once you see Angela’s images, you quickly
realize that her talent plays a large part in her success,
as well. This down-to-earth photographer
holds a degree in photography, but is quick to point
out that her style is more a result of the school of
hard knocks than anything else.
Early in her career, Angela was busy photographing weddings
and various events while learning what she could about portrait
photography in her free time. Before long Angela made the shift
from primarily photographing weddings to photographing children
and families. She truly enjoys working with children, meeting
people, and building relationships, something she attributes to her
upbringing. “I grew up in a large Greek family, not much different
from the one in the movie, My Big Fat Greek Wedding. I build relationships
with my clients, and they become part of my extended
family.” This so-called extended family has undoubtedly benefited
Angela—70% of her annual clients are returning clients.
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Angela’s approach to the business of photography is simple. “Are
you building the business you want to have or simply just doing
business?” This is the question she asks almost daily in all aspects
of running her studio. Her growing business and award-winning
portraits are a testament to this maxim. She built her studio because she wanted to have something that truly suited her style.
Angela Carson Photography resides in a large, renovated, 100-yearold
Victorian home located in the business district of historical
downtown Northville, Michigan. The
studio provides some 3200 square feet
of space distributed over three floors.
On the first floor are Angela’s camera
room and a wraparound porch she
often uses for portraits. The second
floor is a custom-designed natural
light room for photographing, while
the third floor—“The Loft” as Angela
prefers to call it—is a portrait studio
occupied by her husband, photographer
Steve Post. “It’s a very cool
space for photographing high school
seniors,” Angela says.
She and Steve met through a mutual
photographer friend. After dating for
two years they started working together
and six months later they married.
Angela notes, “Steve had a studio
on the other side of town and since
the third floor was not completely
renovated, the timing was perfect.” A
computer programmer in a previous
life, Steve wrote the studio’s management
and database
software. He has also
taken his programming
knowledge and
developed a digital
workflow program
called Backup And
Burn. And although
Steve originally developed
the software
for personal
use, after showing it
to some colleagues,
he found that they
wanted it too. More
information about
the software can be
found at www.back
upandburn.com.
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Creating value is
another key component
to Angela’s
success. She believes
that attention
to detail in properly
marketing your services
is fundamental
to a studio’s success,
something she readily
speaks about in
her seminars. When
black-and-white portraiture began regaining popularity, Angela
quickly noted the trend and included it in her portrait discussions
with her clients. She also made sure that her website was updated
with quality black-and-white
portraits. As Angela points out, “The
value is in the details.”
Angela’s photographic style has
earned her portraits a number of
awards. Discussing how she developed
her style, she points to some of
her biggest influences: Monte Zucker,
Joyce Wilson, Bruce Hudson and Lizbeth
Guerrina. “Each of them has a
style of his or her own, and understanding
those styles helped me in
creating my own.” Angela’s portraits
are what she likes to call “casual classic,”
meaning classic in style, but casual
in appearance. Angela’s unique
approach to photographing children
is one that seems to bring out a child’s
individual personality. “Hey, I am a big
kid myself and really enjoy children.
They are just so real and honest in everything
they do that photographing
them becomes more fun than work.”
Most of Angela’s portraits are taken
with a Bronica SQ
and 150mm lens on
negative film. Her
assistant is always
present to lend a
hand and help get
the right expression,
allowing Angela to
concentrate on capturing
just the right
look. “Sometimes
you can’t do it all
alone,” she says.
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The studio uses
Art Leather albums
exclusively. Angela
believes that
image is everything,
and you should always
put out your
best. The Art Leather
products have a
consistent quality
that never disappoints
Angela or
her clients. “Many
of our clients invest
in albums to display
our portraits
of their children as
they grow. All appreciate the high quality, knowing the albums will still look good
year after year as they add new portraits to them.”
While Steve and Angela shoot primarily on film, they have
found digital photography ideal for some of their newer products.
“Digital works well for our ‘day in the life’ series of portrait
albums for children and families. It is also perfect for birth announcements,
holiday cards, and our personality panels where
we print several different expressions.”
Angela believes that the more she gets to know her clients, the
better her portraits will be. “It’s all part of the relationship. The
better I know the person, the better I see them photographically.”
And the more Angela’s clients get to know her, the more they like
what they see.
Angela Carson will be presenting a program at WPPI 2006 entitled, “Be the
Expert,” on Sunday, April 9. Her program will be in BALLY’s in the Las Vegas
Rooms 5–7, 8:30–10:30 a.m.
Peter Kotsinadelis is a writer/photographer living in Pleasanton, CA. He may be
reached at peterk727@gmail.com
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