Rangefinder Magazine
April 2006
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Photoshop CS2 How2 Michelle Perkins
Working With Layers in Photoshop CS2
When it comes to day-to-day tasks, perhaps the most glaring
change in Photoshop CS2 involves the Layers palette. If you’re
accustomed to working with the Layers palette in previous versions
of Photoshop, it’s going to take you some time to wrap your
brain around the updates and alterations. It won’t be a completely
foreign territory, but the changes are significant.
Figure 1—The Layers palette in CS
Figure 2—The Layers palette in CS2
What’s Missing
The first thing you’ll probably notice is that a few of the old
features are missing from the new Layers palette.
The Link Column. The link column is just plain gone. Instead,
you can now select multiple layers and link them by clicking on
the Link icon at the bottom of the palette.
Figure 3—The Link icon becomes active when more than one layer
is selected.
Layer Mask/Layer Icon. The icon that indicates an active layer
or layer mask is also missing. Instead, Photoshop CS2 indicates
that a layer or layer mask is active by placing black brackets at the
corners of its thumbnail.
Figure 4—The active Layer Mask icon in Photoshop CS (left image)
is replaced in CS2 (right) by dark brackets at the corner of the Layer
Mask thumbnail when it is active.
Layer Sets. In CS2, this is now called Layer Groups, but the
functionality is the same as in Photoshop CS.
Click for Selection. In Photoshop CS, pressing Command (or
Control on Windows) and clicking anywhere on the layer entry
in the Layers palette selects the entire layer in the image. In CS2,
you need to click on the layer thumbnail itself to achieve the same
effect.
Selecting and Working With Multiple Layers
In Photoshop CS2, you now have the ability to select multiple
layers. There are many ways to do this. You can press and hold
Shift while then click on the first and last layer you want to select,
and all those in between will also be selected. Or you can hold
Cmd (Ctrl) and click on a layer to toggle between a selected and
unselected state.
With the Move tool active, you can select multiple layers by
activating the Auto Select Layer checkbox in the Options palette.
Then, click on your image to select the top-most layer that contains
pixels in the area you clicked on. Press Shift and repeat this process to select additional layers. When no layers are selected,
you can click and drag with the Move tool to draw a selection
rectangle. When you release your mouse, all the image layers
with pixels that fall within this
rectangle will be selected. (If you
try this when one or more layers
are already selected, the Move tool will reposition the layers.)
Figure 5—The Options palette for the Move tool contains an Auto
Select Layer checkbox that can be used when selecting multiple
layers.
In the Select menu, you’ll also find some new options related
to layers. Choosing All Layers will, as you might suspect,
select all the layers in the document. Hitting Deselect Layers,
deselects all of the Layers. The Similar Layers command allows you, when one layer is already selected, to
automatically select all other layers of the same
type—whether they are pixel-based layers, Type
layers, Shape layers, groups or Smart Objects.
This can be helpful, for example, when your document
includes several Type layers and you want
to change the font or point size on all of them.
Simply select one layer and go to Select > Similar
Layers. Then, any changes you make in the
Character and Paragraph palettes will instantly be
applied to all the selected Type layers.
Figure 6—The Select menu for CS2 (right) contains
options not found in the CS Select menu (left).
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Smart Objects.
Smart Objects allow you to embed one file within another
by going to Edit > Place (to import artwork into the Photoshop
document) or by selecting multiple layers and going to Layer
> Smart Objects > Group Into Smart Object. The embedded
data retains all its original characteristics and remains fully
editable.
This has some significant advantages. For example, it allows
you to scale, rotate, and warp layers nondestructively. Once a
Smart Object is created, you can then work on a composite
of that data in the image. When you want to modify the document,
Photoshop re-renders the composite data based on
the source data. You can also preserve data that Photoshop
doesn’t handle natively, such as complex vector artwork from
Illustrator or PDF files. Photoshop automatically transforms
the files into something that it recognizes.
Additionally, you can duplicate an existing Smart Object
to create two versions that both refer to the same source
contents. The Smart Objects can be linked (when you edit one
version, the other is also updated) or unlinked (your edits to
one do not affect the other).
Figure 7—In the Layers palette, you can differentiate Smart Objects
from other groups by looking for the Smart Object icon at the
lower right of the layer thumbnail.
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Once you have multiple layers selected, there
are lots of useful things you can do to them collectively:
1. Move tool—Use the Move tool to drag multiple
layers to a new position. You can also use
the Align and Distribute icons in the Move tool’s
Options palette to reposition the layers.
2. Transform—Go to Edit > Transform to
scale, skew, or rotate the layers. You can also
group the layers into a Smart Object (Layer >
Smart Objects > Group into New Smart Object)
to gain the additional Warp option from the
Transform menu.
3. Apply Layer Styles—From the Styles palette,
you can also click to apply any given style to
all of the selected layers.
4. Make Text Changes—As noted above, when
multiple Type layers are selected, any changes
made in the Character and Paragraph palettes
will apply to all the layers. You can also warp the
text (Layer > Type > Warp).
Figure 8—After adding two lines of text (top left),
both Type layers were selected and the font, color,
and point size changed (top right). From the Styles
palette, the Yellow Paper Clip style was selected
(bottom left). Then, the text was warped (bottom
right). Because multiple layers were selected, these
changes only needed to be made once to affect all
the text. (Image by Jeff Smith)
5. Organize and Work With Layers—Once
the desired layers are selected, you can lock them
(Layer > Lock Layers), hide them (Layer > Hide
Layers), link them (by hitting the Link icon at the
bottom of the Layers palette), delete them (Layer
> Delete > Layers), duplicate them (Layer > Duplicate
Layer), etc.
You can also access many of these commands
by Ctrl-clicking (or right clicking) on a selected
layer within the Layers palette.
Additional Changes in the Layers Palette.
Layer Masks. The general performance of Layer Masks hasn’t changed in CS2, but the way you view
them (as noted above) has changed. To determine whether
or not a mask is active, you’ll now need to look for the dark
brackets on the corners of the Layer Mask thumbnail.
Once you’ve created a Layer Mask, you now have the option
to click and drag it onto another layer. Press Option (Alt)
while doing this to move a copy of the Layer Mask, or add
the Shift key to invert the mask when moving or copying it
to another layer.
Figure 9—Layer Masks can be copied from one layer to another
by pressing Option (Alt) while clicking and dragging the Layer
Mask thumbnail. As seen here, you can also hold down the Shift
key while doing this to instantly invert the copied Layer Mask.
Layer Styles. In Photoshop CS, to copy a layer style to another
layer, you simply clicked and dragged the name of the
style onto the line just below the target layer. In CS2 you’ll
need to drag the style onto the center of the target layer;
however, clicking and dragging the style will only move it.
If you want to copy it, you’ll need to hold Opt (Alt) while
moving it.
If you’ve applied multiple styles, you can move/copy them
all to another layer by clicking and dragging the Layer Style
icon that appears at the far right side of the layer.
The way that the visibility of Layer Styles is indicated has
also changed. In CS, the eyeball icon appeared in the column
to the left of the layer in the Layers palette. In CS2, this
column is gone and the eyeball icon, instead, appears in the
blank space just to the left of the Layer Style name. This can
make it a little tricky at first to figure out where you need to
click to toggle the Layer Style visibility, since there’s no indication
of the icon’s placement (i.e. where to click) when the style
is not currently visible.
Figure 10—In Photoshop CS (left), the Layer Style visibility icon
appeared in a column to the left of the layer. In CS2 (right), it
appears directly to the left of the Layer Style’s name under the
layer.
Figure 11—Being able to actively adjust the layer opacity while
transforming a selection makes replacing “blinks” a lot easier.
Additional Quick Tips For Using Layers in CS2:.
1. Merge a Copy—Press Shift-Cmd-Opt-E (Shift-Ctrl-Alt-
E) to merge the visible layers into a combined layer that will
appear above the top selected layer (or at the top of the layers
palette if no layers are selected).
2. Transforming With Opacity and Blending Adjustments—
You can now adjust the opacity and blending mode
of an individual layer while transforming it. This also works
with layers in a group folder. This can help when trying to
transform a layer to match up with an underlying layer.
3. Duplicate by Dragging—To duplicate a layer, you can
now press Option (Alt) while dragging the layer into a new
position on the palette.
4. Distribute Layers and Groups—To distribute multiple
layers, select three or more layers, then go to Layer > Distribute
and select an option to space the layers evenly starting
from one edge or the vertical/horizontal centers.
5. Align Objects on Different Layers—To align multiple
layers, select the layers in the Layers palette (or select a
group). Choose Layer > Align and select a command from the
submenu to align the edges or centers of the layers.
6. Export Layers. You can export and save layers as individual
files by going to File > Scripts > Export Layers To Files.
In the dialog box, under Destination, click Browse to select
a destination for the exported files. Enter a name in the File
Name Prefix box to specify a name for the files. To export
only those layers that have visibility enabled in the Layers
palette, select Visible Layers Only. Choose a file format from
the File Type menu, then click Run.
The changes made to the Layers palette are some of the
most likely of the new features to give seasoned users trouble
when making the jump to Photoshop CS2. Nonetheless, a
little practice will make them easy to live with—and, in most
cases, provide ways to actually benefit from these changes by
expediting your workflow.
Michelle Perkins is a professional writer, designer, and image retoucher. She
has written for PC Photo and is the author of Beginner’s Guide to Adobe
Photoshop, The Practical Guide to Digital Imaging, and Color Correction
and Enhancement with Adobe Photoshop (all from Amherst Media).
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