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Rangefinder
Magazine
January 2004
Plug-Ins Page: nik Multimedia
dfine by Jack & Sue Drafahl
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| The Dfine CD on the left, and Dfine camera profile
CD on right |
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If there was any doubt as to the power of plug-in filters
for Adobe Photoshop, the new Dfine filter is absolute proof. This high
tech digital camera filter, from nik multimedia, Inc., corrects just
about every problem you could have with your digital camera files. Dfine
uses a variety of methods to reduce digital camera noise, correct lighting
problems, and enable advanced contrast and color controls, as well as
JPEG reduction.
Since each digital camera has its own set of problems,
nik multimedia has researched them all and created specific profiles
for each camera
model. These profiles can be purchased separately from nik multimedia
and loaded when images taken on that specific camera are loaded into
Photoshop. You then can use one of five eyedroppers to select problem
colors in the image and adjust the noise for that specific color.
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| Zoom split screen showing the before (left) and after
use of the Dfine selection menu. The blue sky tab was first selected
in the menu, followed by the use of the paint brush on the sky area.
The noise in the blue sky area was reduced without affecting the
rest of the image. |
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The
first unique aspect of this filter is how it is used with Adobe Photoshop
or Elements. During the installation process, the Dfine filter is placed
in the filter directory, and a Selective module is installed in the File > Automate
menu. When you click on this Selective module, a toolbox is temporarily
installed on the editing screen where you can launch Dfine, or access
any of the noise-reduction brushes.
If you want to reduce the noise in
specific areas in the image, you can use one of the Dfine Selective tools
found in the toolbox. You can then
selectively correct problems with skin, backgrounds, sky, hot pixels,
shadows, JPEG artifacts, strong noise, hair and fine structures, and
normalize specific areas in the image. After you select one of these
tools, the Dfine program takes a few seconds to create a special adjustment
layer that floats on top of the main image. You can then use any of the
brush sizes and styles to adjust the specific areas needing repair. For
those using drawing tablets, you have the option of using the pressure
effects of the pen to vary the Dfine pen effects from one area to the
next.
Once you have completed all the necessary edits, you
can use the opacity setting in the Layers menu to reduce or increase
the effect on
the overall
image. When all the tasks have been completed, simply press the “Apply” button,
and all your editing is applied to the image.
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Dfine quickfix menu showing three zoomed in sections
at the top of the menu, and the before (left) and after (right) screens
at the bottom of the menu. Tools at the top of each menu allow you
to turn the effect on/off, zoom in/out, histogram preview, and select
affected areas. |
Dfine quickfix menu showing the before
(left) and after (right) correction for color noise in a digital
camera image. |
Dfine quickfix of digital camera noise.
Navigator image in center shows entire image. Left pane is before
the quickfix, and the right pane is after the Dfine quickfix. |
If you decide to use the
primary Dfine filter, which affects the entire image, a large menu
appears that includes a list of the four basic problems,
a list of methods for problem solving, and thumbnails that preview
before and after effects.
The four primary problem groups include Luminance
Noise (removal of light or dark specks in highlights or shadows), Chrominance
Noise (reduction
of color artifacts and JPEG reduction), Contrast and Light adjustments,
and Color Cast and Balance (color corrections, saturation and color
temperature
problems).
The Dfine selection menu is at the top of the screen.
The Dfine CD on the left, and Dfine camera profile CD on right. |
When you decide which group will solve your problem,
move to the Method menu, which provides a variety of solutions, including
a quick
fix.
If you decide to use the quick fix, a secondary menu displays varying
solutions
in thumbnail form. The other solutions are controlled with several
sliders that generally increase and decrease the intensify of the
effect. There
are multiple preview modes to enable the user to view multiple
variations.
| Digital file from older low megapixel camera resulted
in visible JPEG artifacts. Center navigator image shows overall image
and red cropping of zoomed-in section. Left pane shows the original
zoomed-in section, and the right pane shows the same section with
the Dfine JPEG artifact removal at work. |
The Dfine plug-in filter is very complex, and has a
wide variety of controls to help you create better images. To fully utilize
this filter,
we highly
recommend that you read the instruction book, or scan through
the
enclosed PDF file before you jump in. The additional time spent
will be well
worth it, otherwise you might miss some critical techniques that
would have
made your images even better.
Dfine plug-in for Adobe Photoshop
lists for $99.95 in a downloadable or boxed version for both Windows
98/ME/NT/2000/XP and Mac OS 9 and OS X systems.
For further information
on Dfine and other products from nik multimedia, Inc., log onto
www.nikmultimedia.com/.
Jack
and Sue Drafahl are freelance journalists/photographers
living in the Pacific Northwest. They have owned and operated a custom
lab and service bureau, Image
Concepts,
for many
years. They
can be reached at: digitalduo@jackandsuedrafahl.com. The
Drafahls new web site is: www.jackandsuedrafahl.com/.
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