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Rangefinder
Magazine
March 2004
You Lost Me at “Hello!” by Cheri
Frost
A Tongue-Planted-Firmly-in-Cheek Overview of Telephone
Etiquette and How it Affects Your Bottom Line
Editor’s Note: This
article first appeared in the December 2003 issue of WPPI Photography
Monthly, the newsletter for the WPPI association,
which is part of the Rangefinder Publishing family of companies. We are
reprising the article here because of the great reader response and enthusiasm
registered after was initially published.
Have you ever thought about
how much you could accomplish during the day if you didn’t have
to constantly stop and answer the phone? Have you found yourself hurrying
through phone calls in an attempt to
get on to bigger and better things?
If a ringing telephone has become
a nuisance, disrupting your day and taking you away from other more important
matters, then fear not. I’ve
some helpful advice guaranteed to free up your work schedule and assure
that little piece of molded plastic need never again cause you dismay.
Pick up the phone on the first ring. No need to stop
working; you can talk and work at the same time. This multi-tasking is
actually preferable,
as it keeps you from focusing completely on the caller.
Do not keep paper
and pen near the phone to write down information. Instead, ask the caller
to repeat questions. This method works exceptionally well
at discouraging callers from reserving appointment times.
For example: Caller: “Hello, my name is Mary Smith,
and I have three children I’d like photographed together and separately,
and I need to get prices.”
You: “Umm…how can I help you?”
Caller: “What
are your prices?”
You: “What do you want photographed?”
Caller: “My
three children, together and separately.”
You: “How many
children do you have?”
Caller: “Three”
You: “Do you want
them photographed together or separately?”
Get the idea? It works
like a charm.
Next, locate the phone button that sends the
caller into the oblivion we love to call “Hold” and rename
it “Ignore.” Don’t
ask them if they are able to hold and at no time offer to call them back
with their requested information. Do so and run the risk of appearing
to actually care about wasting your client’s time.
Now, if you find
yourself in the awkward position of actually knowing the information,
then by all means, impart the information as quickly
or as slowly as possible, depending on the speech pattern of the client.
Do not elaborate. Only give the necessary information and leave it to
the caller to fill in the blanks. Confusion and distrust are necessary
components of a bungled call.
Never use the words “please” and “thank
you.” Sure,
they’re the “magic” words, but nobody else in business
uses them; why should you?
Do not smile when speaking on the phone, even
if you’re having
a good day. A smile is the one facial expression that can be
heard in the voice, and it becomes much more difficult to lose a client
when they
feel as though you are enjoying the conversation. Think instead about
the traffic in which you drove to work, the bills you’ve yet to
pay, the argument you had with your spouse that morning and all the things
you could be doing if you weren’t on the darn phone. Channel that
aggravation into your call, and, if done with excessive sighing and/or
impatience, your client will pick up on it. With luck, the call will
end soon.
Select several key phrases such as: “I
don’t know” and “We
don’t do that,” and use them repeatedly. A few well
placed “umms” followed
by long, blank pauses sprinkled liberally through the conversation works
amazingly well in conjuring a sense of inadequacy. If you’re a
gum chewer, then by all means, chew away.
In closing, remember, anybody
can answer the phone. You don’t need
training or special skills. Even a five-year-old can do it. Just get
off the phone as quickly as possible, and the results are guaranteed.
Eventually,
the ringing will stop altogether, and you can get on with your life.
Cheri Frost works with husband Frank of Frank Frost Photography in
Albuquerque, NM. Cheri handles the studio’s digital retouching
as well as customer service, including staff training and studio marketing.
She is also a
freelance writer with a specialty in ad/copy writing.
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