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Rangefinder
Magazine
February 2004
Profile: Steven
Gross: Real Life Weddings by Linda L. May
“If it’s black and white, I know it’s
right,” says Steven Gross, who photographs only black-and-white
weddings these days. “Black and white adds a totally different
dimension to weddings. It’s timeless and nostalgic!”
Steven
Gross, owner of Real Life Weddings and Steven E. Gross & Associates
Photography in Chicago, Illinois, has established a strong reputation
for quality imagery during more than 20 years in business. His passionate
approach to black-and-white wedding photography has been featured on
ABC’s “Good Morning America,” FOX TV, NBC, a PBS Documentary,
and in Esquire magazine. Steven’s photographs also illustrated
the intro for NBC’s sitcom “Three Sisters.” Steven
has also published two books: Zhou Brothers In The Studio and, in 2002,
Black and White: Defining Moments of Weddings and Marriage. When he dropped
color wedding coverage in 1984, he further limited his market, but in
the long run, the risk has paid off.
Although Steven was introduced to
photography as a child on family vacations and scenic jaunts in the car,
he waited until adulthood to seriously
pursue imagemaking as a career. In 1973 Steven joined the U.S. Air Force
and spent much of his five-year hitch in Germany with a camera in his
hands instead of a gun. He honed his darkroom skills while in the military
as well. In 1980 he moved to Chicago and attended Columbia College, where
he studied photography. In 1982, right out of school, he opened his own
studio and has never looked back.
Even though crowds rush past Steven’s
1200-square-foot studio daily, no one comes inside without an appointment.
In fact, from the outside,
the building does not resemble a portrait and wedding studio at all,
according to Steven. There are no window displays and no huge signs.
He does not aggressively advertise and promote either. The majority of
his clients come from referrals and word of mouth. The studio does direct
mailings to keep in touch with regular clients. Steven belongs to the
Chicago Chamber of Commerce, and is very active in the community. One
of the best ways this Illinois imagemaker keeps his name before the public
is his monthly column in Chicago Magazine, called “Mr. Walker.” He
and the writer, Ted Allen, cover black-tie or charity events around the
city. Steven gets a full page of black-and-white images highlighting
the event published in the magazine.
“
One reason I don’t advertise much is because it’s best to
have been referred by clients I have pleased or someone who knows my
work,” Steven explains. “I don’t want clients who found
my name in the Yellow Pages. Referrals are more likely to book than Yellow
Pages’ shoppers. Many people don’t know the difference between
good quality and poor quality photography, so customer education is also
important in the process.”
These days, Steven specializes in black-and-white
weddings, personally photographing around 20 annually, for which he charges
$10,000 each.
However, a staff of photographers shoots another 80 weddings a year,
plus many family groups, children, corporate events and portraits. Marc
Hauser, Chris Guillen and Drew Reynolds, who prints the custom black
and white, are well known for their talents and skills, and are assets
to the operation.
Due to a leg injury in 1998, Steven began hiring associate
photographers to help him in the studio. “Before then, I shot everything
myself. Then, I tore my calf muscle at the end of the wedding season
that year,
and I couldn’t walk. As my wife drove me to the hospital, it hit
me that I had to find another source of income, because if I was ever
badly hurt, my business would dry up. I was the business! If I couldn’t
perform for any reason, my income would vanish. So, I started Real Life
Weddings and hired photographers to work with me. Now, if I can’t
photograph a wedding for some reason, one of my associates can do it,
and the studio still generates revenue,” he says.
What is so distinctive
about Steven Gross, and his approach to wedding photography? A Chicago
Tribune column, written by Dale Dauten, describes
him this way: “The first thing you notice is that his pictures
are exclusively black and white. Artsy black and whites. The whole Brassai,
Cartier-Bresson feel… Lots of shadows, lots of detail, close-ups
of gifts and hats and veils and, most of all, emotions. With the exception
of a few group for-the-record shots, all are unposed.”
Although
one of his associates shoots digital weddings, so the studio can offer
that service, Steven himself still believes in traditional
black-and-white film, Kodak Tri-X 400 ISO. As for cameras, he uses Leica,
Hasselblad, Mamiya, a Diana, Widelux and an old 4x5 Speed Graphic. Vivitar
283 flash units are used on location and Speedotron and Elinchrome strobes
and softboxes in the studio.
Wedding proofs are delivered in large sheets,
enlarged and numbered, in a fancy box for easy ordering. Steven shoots
anywhere from 1500 to
2000 exposures at his weddings, so the clients have many images from
which to choose. “
Staying in business works if you treat everyone fairly. Bad news travels
faster than good news, it seems. Make every client feel special and important.
And, don’t overload yourself so you’re overwhelmed because
the will business suffer!” Steven advises.
Readers may contact
Steven at Real life Weddings via email: steven@reallifeweddings.com,
or view his web site: www.reallifeweddings.com.
Linda L. May is a freelance
writer based in Fort Dodge, Iowa.
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