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Rangefinder Magazine
February 2004

Profile: Calvin Hayes by Charmaine Beleele

is your true happiness, your own best destiny. If you are living your heart’s desire, then you have found your bliss. Baltimore photographer Calvin Hayes has found his bliss in photographing weddings, society events and families in the Baltimore area. When Calvin walks into a seminar room, he fills it. He is larger than life. His voice booms and his smiling energy electrifies everyone within earshot. Yet, at a wedding, this same convivial man can melt into the background to capture the “real moments” of a couple’s special day. He credits his mentors, Clay Blackmore and Denis Reggie, for helping him form his unique reportage style of wedding photojournalism.

Comparing wedding coverage to a pie, Calvin says, “Eighty percent of the pie is photojournalistic, 10 percent is scene-setting details and 10 percent is comprised of formal shots.” For the most part, this “shoot-on-the-fly” photographer “wants to be in the position to be simply the observer and witness.” He likes to stand back and “let moments happen.” That’s his bliss. To find his bliss required several steps, many of which he shared in a booming voice that echoed rap, rock and revival style at the WPPI Convention last year.

His first step was most unusual and empowering. He closed his elegant studio. He established a new level of service for his clients: on call and on location. Although he maintains an office, he has become known as a photographer who makes “house calls.”

To find his bliss, he embarked on a quest to “become a known person.” He became the best volunteer assistant in the Baltimore area, offering his services to photographers who became his mentors and friends. He assisted Monte Zucker, Denis Reggie and Clay Blackmore. This gratis work lead to paid jobs and exposed him to many social contacts. Another major step he took in this journey was to develop a press kit—an idea he learned from Denis Reggie.

Press Kit: The Recipe For Becoming A Known Person
• The kit should have a brief biography explaining your professional history.
• It should also have a separate listing of the chronological highlights of your career.
• You should reprint any articles that have been written about you, by permission, of course.
• You should list all of your memberships and awards in any photographic competitions and associations.
• Include any press releases or news clippings concerning your recent accomplishments.
• Feature a price list, preferably a three-tiered pricing structure, and a business card.
• Another important element is the “single image card,” with a brief message on the back.

Once he had assembled his kit, Calvin marketed himself to people who could help him, like first-class party planners and topnotch florists. He was also taught, “You should always be ready with a concise statement about you and your photography, a 10-second commercial.”

A strong believer in word of mouth publicity, Calvin has stated that he loves to give shockingly good service. He will go the extra mile in providing service to clients and prospective clients. More than once he has driven three hours to visit with a potential customer. He says, “Don’t just get the job done, get it catered to a certain lifestyle, consistent with what appeals to your preferred level of clientele. If you choose to have a studio, it must be clean and smell wonderful. There should be music playing, bottled water to drink and chocolates to eat.” He explains that every detail of your studio and your personal appearance “should symbolize your stature as a player in your target level of society.”

Hayes has no tolerance for photographers who bemoan the economy and blame it for their financial woes. His answer to a sluggish economy has been to increase his customer service to such attractive levels that he retains repeat clients, regardless of the economy. He says, “Treat your customers well to gain word-of-mouth publicity. Take care of the clients that you have. Always remember that bad news is more aggressive than good news.”

He advises photographers to study public relations, marketing and business skills just as conscientiously as they study their camera arts. “Marketing skill is as important to my business as my camera. You can be an artist, but be a businessperson first.” His good attitude captivates his clients. He says, “A positive attitude makes people let down their walls and trust you. Don’t be afraid to show your passion for your work. This shows you believe in yourself and your ability to take care of them.” Part of building your professional image is the “power to put clients at ease so they will have no worries about the work you do for them,” Calvin says.

On the way to becoming a known person, a photographer must do some serious goal setting. Personally, I heard this from many motivational speakers previously, but Calvin’s talk actually gave me guidelines for structuring specific goals. I posted these questions in my studio office where I could see them every day.

Calvin Hayes’ Goal-Guiding Questions
1. “Are you growing?” At his WPPI address, Calvin stated, “The fact you are here proves you are growing. You can not come to the WPPI Convention and stay the same.”

2. “How can I remake my life?” This was the question Hayes asked himself before he closed his studio and opted for an office situation. Having the office allowed Calvin more freedom to create a higher profile in society. Since my studio is in my home, my interpretation of this goal was to advertise the option of more “on-location” type sessions. Much to my surprise, on-location shooting has become trendy even though it is more expensive to my clients than a quick session in the studio.

3. “Are you Digital?” Hayes teaches us to be up on the latest trends and knowledgeable about the newest developments in our craft. I was film-based when I attended his seminar, but four months later I bought my first digital camera. More importantly, I began to study Photoshop and I recently invested in a nice little printer so I could control the quality of my brochures and press kit materials.

4. “When will you become digital?” This goal helped me a great deal. Because of this goal, I put a little time pressure on myself, resolving to be digital within a year of attending Calvin’s seminar. I set quotas for daily earnings and savings. More than saving the money for digital equipment, I found a huge challenge in saving the time so that I could surmount the technical learning curve to utilize the equipment once I could afford it.

5. “Who is your mentor?”

6. “Do I love what I do?”

7. “Do I look the part?” From the impeccable appearance of clothing to the radiant smile to the proper diction and grammar, Calvin Hayes is a constant advertisement, walking the walk and talking the talk of success.

8. “Have I faced the obstacles I see in front of becoming a success?” Each person will have vastly different answers for this question, but once you recognize the obstacles, you can more easily overcome them.

9. “Where do I fit into my marketing niche? Who are my clients?”

10. “Do I need a studio or an office?”

11. “Do I anticipate? Can I learn to stop anticipating failure?” Calvin says, “A setback is nothing but a setup for a comeback! When I had a set back, I raised my prices!” If a mistake does happen, he says, “Admit it, quit it, and forget it!”

12. “Am I multidimensional?” This question encompasses the photographer’s social visibility and community commitment. Networking with a charity means more than giving a gift certificate to the annual silent auction. It raises self-esteem to actually attend such an event or dinner. It makes you become a known person, a person with a heart. Be there with, or even without, your camera. Society will notice that you care.

Calvin says, “Always be nice, be the best person you can be.” Perhaps you are nice, but it does not show. Calvin has some unique ways to demonstrate your niceness. He compliments his clients on their important lifetime accomplishments. Being generous with compliments costs nothing. It’s nice. Sending clients thank you cards costs next to nothing. It’s just nice. Donating your time to a group as artist for a day costs very little, and yet it establishes you as a NICE expert. These details of niceness can be expanded into larger acts of random kindness and networking. He also suggests writing an article free for someone’s newsletter. One way of congratulating someone on his or her life is to laminate and send a clipping from the newspaper to a client who merits a civic or athletic award. (Or, even a would-be client!)

Donating time and energy to your community, giving chocolates or thank you notes, devising a press kit and getting access to society are all ways of going Calvin’s “extra mile,” to find your bliss. And on your way to finding your bliss as a photographer, you might just find your bliss as a human being.

Email Calvin Hayes for advice on your own personal journey to becoming a “known person.” His email address is:
calhayes@aol.com/.

Calvin Hayes, along with Clay Blackmore, will be presenting a program at WPPI 2004 at BALLY’s Las Vegas on Wednesday, Feb. 25. The title of the program is “Exclusive Wedding Coverage.”

CharMaine Beleele, with an MA in Communication, owns Angel Kissed Photography Studio in Arkansas. She teaches Communication at the University of Arkansas in Fort Smith. She is also a regular correspondent for the Arkansas Catholic newspaper. You can email her at LBeleele@aol.com or contact her at her new web site www.angelkissedphotography.com.

 

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